Autumn Exhibition 2025

We are pleased to present the Autumn Exhibition 2025, featuring new works by three contemporary ceramic artists from Japan — Ayane Higa, Mitsuho Tsuri, and Yuri Fukuoka.

The exhibition brings together three distinct practices that explore the expressive and conceptual possibilities of clay within contemporary art. Their works reflect a shared sensitivity to form, texture and presence, inviting quiet attention and reflection.

Set within the characterful space of St Mary’s Church in Primrose Hill, the exhibition offers an opportunity to engage with the evolving language of Japanese ceramics in a contemplative setting.

Autumn Exhibition 2025

Venue St Mary’s Church, 2 Elsworthy Road, Primrose Hill, London, NW3 3DU

Date / Opening Hours
Saturday 25 October 10:00–16:00
Sunday 26 October 12:30–15:00

We look forward to welcoming you.

Turner Prize 2025 : Our Coverage

Turner Prize 2025 Exhibition

Featuring the Shortlisted Artists Opening

Our latest article for Harper’s Bazaar Japan covers the Turner Prize 2025 exhibition, which opened on 27 September at the Cartwright Hall Art Gallery in Bradford. The Turner Prize, which has brought international recognition to artists such as Steve McQueen, Damien Hirst, and Tracey Emin, is regarded as one of the most important contemporary art awards in the world. Once again this year, four finalists have been selected, and the exhibition opened on 27 September in Bradford, England, offering an early look at their works.

Established in 1984 at the suggestion of then Tate Gallery director Alan Bowness, the Turner Prize has continually reflected the spirit of its time, sparking debate and propelling the next generation of artists onto the world stage. The prize takes its name from the painter J.M.W. Turner (1775–1851), whose radical approach to light and colour paved the way for modern abstraction.

For 2025, the exhibition at Cartwright Hall Art Gallery presents works by four artists selected for their outstanding practice over the past year. The winner will be announced on 9 December.

This year’s finalists are:

  • Mohammed Sami (b. 1984, Baghdad): Now based in London, Sami reconstructs his solo exhibition at Blenheim Palace to question the legacy of empire, war, and memory through painting.

  • Nnena Kalu (b. 1966, Glasgow): Working with recycled materials, Kalu creates sculptures and drawings defined by rhythm and repetition, transforming simple gestures into powerful, energetic forms.

  • Zadie Xa (b. 1983, Vancouver): Based in London, Xa draws on Korean folklore, shamanistic ritual, and ancestral narratives to produce immersive installations exploring identity and belonging.

  • Rene Matić (b. 1997, Peterborough): A non-binary artist whose work spans photography, sculpture, and text, Matić examines postcolonial Britain, queerness, and diasporic identity with sharp political insight.

The Turner Prize continues to highlight the diversity and complexity of contemporary artistic practice, inviting audiences to engage with urgent questions shaping culture today.

You can read my full article for Harper’s Bazaar Japan here.

New Representation

arti fiant is pleased to announce its representation of Ayane Higa and Mitsuho Tsuri, two artists whose practices expand the language of materiality, form, and emotional expression within contemporary art.

Ayane Higa (b. 2000, Okinawa) creates sculptural self-portraits cloaked in a plush rabbit suit, a metaphor for emotional interiority and quiet resilience. Employing a distinctive process in which fabric is immersed in clay slip and fired, she preserves the folds and textures of the original textile in ceramic form, combining this with porcelain clays and soft pigments to evoke subtle psychological states. Higa has been acknowledged by the Japan Ceramic Society, with recent exhibitions including the Ceramic Education and Work Exchange Exhibition at Daikanyama Tsutaya Tokyo.

Mitsuho Tsuri (b. 1991, Hyōgo) reinterprets the ancient technique of coiling through a meticulous process of layering, cutting, and revealing structural cross-sections. Her works, often described as “three-dimensional paintings”, explore tactility and abstraction whilst drawing on influences ranging from Jōmon pottery to Pop Art. Tsuri has exhibited widely including solo presentations at New Taipei City Yingge Ceramics Museum, Taiwan and Galleria PONTE, Kanazawa. Her work has been recognised with numerous awards, notably at the Kikuchi Biennale in Tokyo.

Their works will be shown in our upcoming exhibition at St Mary’s Church, Primrose Hill, London, on 25–26 October, marking the first opportunity for audiences to encounter their pieces in person since joining arti fiant.

Summer Exhibition

We are pleased to present the Summer Exhibition, featuring recent works by three acclaimed ceramic artists from Mashiko, Japan: Tomoo Hamada, Kan Matsuzaki and Kei Shimaoka.

While all three artists share a connection to Mashiko, their work reflects distinct approaches to form, surface and method. The exhibition brings these differences into focus, showing how each artist continues to shape a personal direction within a wider tradition.

Rather than offering a single narrative, the exhibition reflects the range and depth that can emerge from working closely with one material over time. Each piece invites attention through its balance, texture and presence.

Set within the characterful space of St Mary’s Church in Primrose Hill, the exhibition offers an opportunity to spend time with the work and consider the varied ways these artists approach their practice.

Venue St Mary’s Church 2 Elsworthy Road, Primrose Hill, London, NW3 3DU

Date/ Opening Hours
Saturday 12 July 10:00–16:00
Sunday 13 July 12:30–16:00

We look forward to welcoming you.

Coverage of Art Basel 2025

A new feature on Art Basel 2025 has been published in Harper’s Bazaar Japan, authored by our co-founder.

The article offers a considered view of the current state of the international contemporary art market, as observed at this year’s Art Basel, held in Basel, Switzerland from 17 to 22 June. With over 88,000 visitors and 289 galleries from 42 countries, the 2025 edition marked the fair’s largest to date.

Highlights include Katharina Grosse’s large-scale installation at Messeplatz, the expansive Unlimited section, and the debut of the Art Basel Awards. The piece also explores significant presentations by artists such as Sagarika Sundaram, Arlene Shechet, Danh Vo, and Masanobu Tomita, whose work was shown by Tokyo-based gallery Kayokoyuki.

Beyond the main fair, the article reflects on the broader cultural vitality that takes hold of the city during Basel week — from the experimental spirit of the Basel Social Club and Vija Celmins’ quietly powerful retrospective at the Fondation Beyeler to Steve McQueen’s immersive installation at Schaulager.

You can read the full article via Harper’s Bazaar Japan here.

Coverage of Grayson Perry

We are pleased to share that our Co-Founder has written a feature for Harper’s Bazaar Japan, covering Delusions of Grandeur, the major new exhibition by Grayson Perry at the Wallace Collection in London.

Perry, one of Britain’s most celebrated contemporary artists, presents over forty new works across ceramic, tapestry, drawing and digital media. The exhibition responds directly to the Wallace Collection’s Rococo splendour and historic holdings, resulting in a rich, layered dialogue between past and present.

At the centre of the exhibition is Shirley Smith, a fictional woman who wakes up inside the museum believing herself to be its rightful heir. Her story, filled with both tragedy and wit, forms the emotional core of the show. Through Shirley, Perry examines ideas of beauty, fantasy, identity and class, blending social critique with personal reflection.

The article touches on the ways Perry draws from the spirit of outsider artists such as Madge Gill and Aloïse Corbaz, while also introducing AI-generated portraits and detailed ceramic works that explore both craftsmanship and delusion. It is a world where tenderness and satire co-exist, all within the theatrical surroundings of the Wallace Collection.

You can read the full article (in Japanese) here.

Grayson Perry © Richard Ansett, shot exclusively for the Wallace Collection, London

Duo Exhibition: Elements In Balance

We are pleased to present Elements in Balance, a duo exhibition featuring the ceramics of master artists Kan Matsuzaki and Kei Shimaoka from Mashiko, Japan. Their work honors traditional craftsmanship while embracing contemporary form and texture.

Venue St Mary’s Church, 2 Elsworthy Road, Primrose Hill, London NW3 3D

Date/Opening hours
Saturday, 1st March: 10:00 – 14:00
Sunday, 2nd March: 12:30 – 16:00

Coverage of Theaster Gates at White Cube

Our Co-Founder has contributed an article to Harper’s Bazaar Japan on Theaster Gates’ latest exhibition, 1965: Malcolm in Winter: A Translation Exercise, currently on view at White Cube Bermondsey from 7 February to 6 April 2025.

This landmark exhibition spans the entire Bermondsey gallery and showcases Gates’s new archival responses, large-scale installations, and film works. Marking the centenary of Malcolm X’s birth and the 60th anniversary of his assassination, Gates pays tribute to Japanese journalist Ei Nagata and Haruhi Ishitani, who dedicated their lives to translating and preserving Malcolm X’s legacy.

The exhibition reflects Gates’s ongoing exploration of Blackness in Japan, a theme rooted in his pottery studies in Tokoname during the late 1990s. Recently acquiring the Nagata and Ishitani’s archive, Gates uses Japanese aesthetics to examine the global influence of Black Power movements, creating a compelling dialogue between cultural histories.

Our Co-Founder’s article, The Truth of ‘Blackness’ in Japan Pursued by Theaster Gates, provides an in-depth look at the exhibition, including interviews with Gates and the White Cube team. It highlights the historical connections between Japanese intellectuals and Black radicalism, while also exploring how Japanese design and philosophy have shaped Gates’s artistic practice. This exhibition underscores Gates’ commitment to the archive as a medium for preserving and reinterpreting Blackness.

Read the full article in Harper’s Bazaar Japan.


Theaster Gates A libation in Uncertain Times, 2024 (Photo: arti fiant)

Coverage of Ceramic Brussels 2025

We are pleased to share that our co-founder has contributed an article to Harper’s Bazaar Japan, offering insights into Ceramic Brussels 2025. The article explores the fair’s expanding influence and how ceramics have evolved into a recognised and dynamic medium within contemporary art.

Below is a summary of the article, translated into English:

Now in its second edition, Ceramic Brussels has expanded in scale, bringing together 65 galleries from 15 countries, including Europe, North America, and Japan. With works by more than 200 artists exhibited between 22 and 26 January, the fair continues to establish itself as a key platform for contemporary ceramics.

During the fair, our co-founder had the opportunity to interview Gilles Parmentier and Jean-Marc Dimanche, the fair’s founders, who shared their insights on the global rise of ceramics. Parmentier emphasised that ceramics are now gaining worldwide attention and that this was the ideal time to bring the medium back into the international spotlight as contemporary art.

The article explores how ceramics have seen a significant shift in perception over the past decade. Once positioned outside the mainstream of contemporary art, ceramics have increasingly gained recognition for their conceptual depth, material versatility, and unique ability to challenge artistic conventions. The medium’s growing presence in galleries, museums, and major art fairs underscores this evolution, reflecting a broader movement that has expanded the boundaries of contemporary artistic practice.

As Ceramic Brussels continues to grow, it serves not only as a showcase for leading ceramic artists but also as a platform shaping the conversations that will define the future of the medium. The fair fosters artistic exchange and deeper engagement with ceramics as an evolving and vital force in contemporary art.

Read the full article in Harper’s Bazaar Japan.

Photo: arti fiant

Prompt

We are pleased to announce that we organise the first exhibition of Taihei Soejima in London.

His photographic works explore the intricate dance between technology and time, preposition and thought and narrative and sensation all captured through the lens of a traditional film camera.

Venue St Mary’s Primrose Hill (2 Elsworthy Road, London NW3 3DJ)

Date/Opening hours 20th April 10am-4pm & 21st April 12:30pm-4pm

This exhibition is an experimental programme for arti fiant to support Japanese artists in London regardless their medium.

 

This exhibition unveils a collection of fantastical landscape images of Mount Ararat, created by combining generative AI and classical silver halide film techniques. Mount Ararat, an actual volcano nestled in the Caucasus, is steeped in legend as the supposed landing site of Noah’s Ark. It is revered as a sacred place across various religions and ethnicities, making it a unique and compelling theme.

Through the innovative mixture of generative AI and silver halide film, this exhibition seeks to express the rich historical tapestry of the mountain. It portrays the delicate interplay between narrative and human connection, allowing the artworks to breathe life into the mountain’s significance. Viewers are invited to embark on a journey of exploration, delving into its role as a sacred site across various religions and ethnicities.

 

Taihei SOEJIMA (born 1992)

Born and raised in Tokyo, the artist has dedicated his career to the exploration of photographic media, seamlessly blending classical and digital techniques. His works are driven by profound interest in history and narrative, and are centred around the compelling theme: “What is the story necessary for a human to be human?” His unique interest and approach have shaped his distinctive style, making his works a captivating journey through physical and psychological lens. He completed a Master in Global Art Practice and a Bachelor in Sculpture degrees both from Tokyo University of Arts.

His recent exhibitions include “The Electricity (Group, Tokyo 2022)”, “IAG AWARDS 2021 EXHIBITION (Group, Tokyo 2021)” and “Sprout (Solo, Tokyo 2020).

This year, he has been awarded a fellowship by Pola Art Foundation.

(14 April 2024)